Jan. 27th, 2015

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Of the many place names in New England transported here from settlers hearkening back to their connections in Old England, I most like that of Braintree. There's a Braintree in Massachusetts and one here in Vermont. Both of them take their name from Braintree, Essex in England. As far as I'm concerned, though, that's less than half the story. The etymology geek in me has a burning desire to know how several locations in the world are named after [according to my overheated imagination] trees growing out of skulls.

Unfortunately, the etymology geek in me will not be adequately satisfied. Wikipedia, font of all knowledge online, deems the origin of the name Braintree "obscure." Despite that, the online encyclopedia discusses several possible sources for the name, most of which support the idea that, somehow, Braintree began life as something like "Brantry" or "Branchetreu," both of which seem to mean "town by the river."

In fact, in the Domesday Book, a 1086 record of land use and taxation covering much of England, records Braintree as "Branchetreu." As far as I can tell, this appears to be the earliest record of the place name in its somewhat recognizable form. Thus it's worth looking into the sources of Branchetreu.

Branchetreu, like Braintree, breaks down into two syllables with a different origin for each: "Branche-" and "-treu." The speculation that Braintree means "town by the river" leads me to interpret the "Branche-" as equivalent to the French la branche, which is one of those words that means the exact same thing in both language. La branche in French and "branch" in English both refer to those small extensions of a tree growing up and out from the main trunk; both words also carry the same figurative meanings that denote the subsidiary parts of certain things [e.g., governments]. Therefore both words can mean "a separate smaller offshoot of a larger river." "Branche-" clearly equals "river," at least in my mind.

So what about that "-treu?" According to Wikipedia, the suffix "-treu" is equivalent to the modern suffix "-try" or "-tree," which used to mean "farm" and then expanded to mean "settlement" or "town." Apparently this appears in town names around Wales. If that's so, then "Branche-" = "River-" and "-treu" = "town," making "Branchetreu" = "Rivertown." The shifts changes in spelling and pronunciation we can attribute to the inevitable changes in language as it wends through the landscape of time.

Even though I know Braintree is basically Rivertown, the poetic images of its current iteration -- brains and trees -- will always teem in my mind. When I think of Braintree, I think of a tree in a cemetery growing out of someone's skull. More specifically, I think of an old New England family plot, full of effaced and canted stones, and an apple tree rooting in one corner, planted firmly in the pot of a dead person's skull. Or I think of another feral apple-like tree, once by a house that has long since disappeared. Short and broad, it bears the heavy burden of its fruit: bright ripe brains, swinging from their stems. Or, more metaphorically, I think of the nervous system as the epitome of a brain-tree: with the spinal cord as its trunk, it ramifies in electric branches throughout the body, with the brain at its fruiting crown.


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Since I last posted about my modifications on Beth, my Takara MicroSister Fyana, her form has changed significantly. I removed her original head because, though delicately detailed, it was much too small in comparison with Death's. It was also hairless, and I didn't relish the thought of making her minuscule wigs.

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I have been moving very slowly toward sewing my own doll clothes. I have hemmed and altered existing clothes. I have also crudely constructed simple raw-edged skirts and capes, fastened with hot glue and/or a running stitch. I have not sewn an entire garment, using a pattern, from beginning to end. Taking on such a project seemed to be the logical extension of the modifications that I had already done.

I acquired a pattern for a Tyler doll from Andrea [DollsAhoy] for a collared shirt in October, 2014. I also took advantage of the Halloween season to buy three cotton prints -- dancing skeletons, bats and spiderwebs -- appropriate for Isabel’s tastes. Then all of the supplies just sat on my desk for about two months.

Earlier this month, the hiatus between Zombieville chapters gave me more time for other projects. My interest in sewing reawakened. I hit Joanne Fabrics for some quilter's packs of REALLY LOUD fabrics to supplement my Halloween prints. Armed with a high level of enthusiasm and approximately 0.5 of a clue, I set to work.

My first two attempts will not be exhibited here. They were too large and/or sloppy and/or filled with mistakes, which tends to happen when you only have 0.5 of a clue. However, I learned enough about what NOT to do from failures #1 and #2 so that I could apply my new skills to failure #3.

Behold now the glory that is failure #3! Modeled by Isabel [here and in chapter 5 of Zombieville], it's a snugly fitting collared shirt with long sleeves, intentionally constructed with contrasting prints, fastened with snaps.

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