Kissed, the movie mentioned in my July 3rd entry, came in the mail on Monday, and I watched it. I'm only now reviewing it because I was busy priming and painting Tuesday and Wednesday.
Kissed, a closely focused movie with very few extras or characterological background, is a character study of two characters who are debatably nuts, yet perfect for each other.
Despite the inherent unlikeability of the characters, Kissed is an interesting, solid movie. It's by no means as artistic, philosophical, psychologically profound and daring as it thinks it is, but it's interesting and saved largely by convincing performances. The acting is all-around low-key, underplayed, even a bit deadpan [hah], which keeps the story from becoming sensationalized. The lack of extras [never have I seen a more desolate college campus] mars the realism, but also adds a dreamy, depupulated atmosphere to the story, demonstrating how much Sandra and Matt are focused on things besides the real world. The languid camera work and the poetic voice-overs add a meditative mood to the proceedings, though there are far too many fade-to-the-white-light-of-transcendent-orgasm shots. Also, the voice-overs could have been used much more parsimoniously, at the beginning, the end and during the extended childhood flashback of Sandra's.
Apparently Kissed is based on a short story, "We So Seldom Look on Love," by Barbara Gowdy. I'll have to look into it. Maybe it provides some history for Sandra and Matt.
Kissed, a closely focused movie with very few extras or characterological background, is a character study of two characters who are debatably nuts, yet perfect for each other.
Despite the inherent unlikeability of the characters, Kissed is an interesting, solid movie. It's by no means as artistic, philosophical, psychologically profound and daring as it thinks it is, but it's interesting and saved largely by convincing performances. The acting is all-around low-key, underplayed, even a bit deadpan [hah], which keeps the story from becoming sensationalized. The lack of extras [never have I seen a more desolate college campus] mars the realism, but also adds a dreamy, depupulated atmosphere to the story, demonstrating how much Sandra and Matt are focused on things besides the real world. The languid camera work and the poetic voice-overs add a meditative mood to the proceedings, though there are far too many fade-to-the-white-light-of-transcendent-orgasm shots. Also, the voice-overs could have been used much more parsimoniously, at the beginning, the end and during the extended childhood flashback of Sandra's.
Apparently Kissed is based on a short story, "We So Seldom Look on Love," by Barbara Gowdy. I'll have to look into it. Maybe it provides some history for Sandra and Matt.