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Okay, so technically Isabel's not in these pictures. Let's pretend she's standing just out of frame. :p
Behold the understory! Yesterday I harvested some slender twigs from the nearby woods, then turned them into the understory for my forest set. I made bases for clusters of twigs using the same principles that I used when making them for my underbrush this weekend. This time, though, I did things differently.
First, I didn't use polymer clay. I used Aves Apoxie Sculpt. It is a two-part sculpting medium that requires manual blending in 50/50 composition before use. It then has a working time of approximately two hours before it dries rock hard. When pliable, it may be tinted with acrylic paint. When dry, it may be sanded or carved.
I really like Apoxie Sculpt. I find it easy to use, with the caveat that hand-mixing just about three-fourths of a handful of it at a time is best. Otherwise I hurt my hands in an attempt to blend huge wodges at once!
Once blended, Apoxie Sculpt starts off slightly tacky, soft and very pliable, slowly stiffening and drying as time wears on. It responds readily to tools, cut it's also easy enough to form with one's fingers. [The instructions recommend wearing nitrile gloves and make it sound like the stuff is difficult to get off, but it's really not. The second time I used it, I didn't wear gloves, and I removed the sticky bits from my fingertips with soap and water.] Unlike polymer clay, it cures on its own, so no putting things in the oven, then juggling hot items as they come out.
Second, I didn't glue the twigs into guide holes the way that I did with the underbrush. Instead I just stuck them in the Apoxie Sculpt bases and let the Apoxie Sculpt cure around them. As much as me and hot glue are BFFs, sometimes it's nice not to have to use it.
( Read more... )
Behold the understory! Yesterday I harvested some slender twigs from the nearby woods, then turned them into the understory for my forest set. I made bases for clusters of twigs using the same principles that I used when making them for my underbrush this weekend. This time, though, I did things differently.
First, I didn't use polymer clay. I used Aves Apoxie Sculpt. It is a two-part sculpting medium that requires manual blending in 50/50 composition before use. It then has a working time of approximately two hours before it dries rock hard. When pliable, it may be tinted with acrylic paint. When dry, it may be sanded or carved.
I really like Apoxie Sculpt. I find it easy to use, with the caveat that hand-mixing just about three-fourths of a handful of it at a time is best. Otherwise I hurt my hands in an attempt to blend huge wodges at once!
Once blended, Apoxie Sculpt starts off slightly tacky, soft and very pliable, slowly stiffening and drying as time wears on. It responds readily to tools, cut it's also easy enough to form with one's fingers. [The instructions recommend wearing nitrile gloves and make it sound like the stuff is difficult to get off, but it's really not. The second time I used it, I didn't wear gloves, and I removed the sticky bits from my fingertips with soap and water.] Unlike polymer clay, it cures on its own, so no putting things in the oven, then juggling hot items as they come out.
Second, I didn't glue the twigs into guide holes the way that I did with the underbrush. Instead I just stuck them in the Apoxie Sculpt bases and let the Apoxie Sculpt cure around them. As much as me and hot glue are BFFs, sometimes it's nice not to have to use it.
( Read more... )