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A bike photographer, Ray Dobbins, describes his simple, inexpensive set-up for taking clear photos with realistic color balance. His secret weapon is HALOGEN WORK LIGHTS. He uses 2, pointed at the ceiling, and apparently this sheds enough white ambient light all around to provide sharp, detailed pictures with relatively accurate color. Obviously I need some of these before I get so frustrated with all my yellow fluorescents that I launch them out the window.

The comments about this page on BoingBoing add some alternatives to the main set-up.

Date: Sep. 12th, 2008 01:04 pm (UTC)
ext_79676: (Default)
From: [identity profile] sola.livejournal.com
This is brilliant; thanks! We were especially having trouble finding adequate lighting, as our crappy little lamps aren't cutting it at all. Tiem to take a trip to Sears.

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